Hampton Court Real Tennis Championships

Coates & Seely were delighted to sponsor the sparkling wine at this year’s Real Tennis Champions Trophy, hosted at the Royal Tennis Court at Hampton Court.

The Royal Court at Hampton Court was first built for cardinal Wolsey in 1526 and the current court contains one of the original walls and a further three walls built for Charles I in 1625.  A succession of British monarchs have played real tennis on these courts – including Charles II, William II and Price Albert, and Her Majesty The Queen remains the club’s Patron to this day. Henry VIII – a keen (and reputedly highly competitive) player himself – would certainly have recognised the game today, which has changed very little since Tudor times.

Real tennis professionals from around the world – including Australia, the US, France and the UK – converged on Hampton Court in the week immediately after Wimbledon to compete for this prestigious trophy. Entertainment – both on the court and off – was never far at hand, and Coates & Seely wines were served throughout, beginning at the opening dinner in the magnificent Great Hall, built by Henry VIII at the heart of the Tudor Court, and ending in the Palace gardens on a blistering hot July afternoon, where they provided cool refreshment to all and a fitting celebration for the winner.

https://www.hrp.org.uk/hampton-court-palace/explore/royal-tennis-at-hampton-court/

The Cut House Style: The young designer helping to celebrate the Royal Academy’s 250th anniversary

The Royal Academy has long had a reputation for throwing a good party: its annual Summer Exhibition preview is one of the most glamorous events in London’s social calendar. And as the institution marks its 250th anniversary, a new merchandise collection, available next month, will tap into its hosting heritage with a range of products aimed at entertaining.

To produce it, the Academy has collaborated with Luke Edward Hall, a young artist and designer with a classical aesthetic, who has taken the interiors world by storm over the past couple of years. Having started out working with the architect and designer Ben Pentreath, Hall struck out on his own in 2015, and has since worked with companies including Burberry and Christie’s, completed private interior-design projects and produced his own range of prints, ceramics and fabrics. And all by the age of 28.

Here, Hall was briefed to focus on the RA’s place in London society, and the personalities who have frequented its parties and dining rooms. His research involved delving into the Academy’s archives to examine original event invitations, dinner menus, wine labels and other ephemera – something of a dream for a self-confessed typography nut.

‘I loved looking through the old menus in particular,’ he says. ‘They were absolutely beautiful – all these delicate little pieces of card; most were embossed, engraved or edged in gold. They were just so wonderfully elegant. Plus, of course, the menus themselves were fascinating to read.’

The resulting illustrations, which reinterpret motifs in Hall’s playful style, have been applied to bottles, ceramic tableware produced in Staffordshire, napkins and glasses, candles and gold-embossed stationery, along with hostess gifts. His favourite products from the collection are, however, the CoatesSeelysparkling wine and East London Liquor Company gin, whose bottles are labelled with his designs. ‘It’s been really exciting for me to work with such an iconic London institution that I’ve loved for many years as a visitor,’ he says of the RA. ‘And I must say, a gin with my own label will be quite a fun thing to own.”

The Coates & Seely Fillies’ Handicap Stakes at Goodwood

The second running of the Coates & Seely Fillies’ Handicap Stakes was run in brilliant sunshine, against the usual rolling chalk downlands of Goodwood in the background, on the 8th June.

Ian Williams-trained Pretty Jewel came out victorious in a thrilling finish, cheered on by most of the Coates & Seely box-guests who had backed the winner.

The celebrations, fuelled with copious quantities of Coates & Seely sparkling wines, continued deep into the evening as Example took centre stage in the parade ring and entertained thousands of race-goers long into the night.

https://www.goodwood.com/sports/horseracing/

Modern and Post-War British Art at Sotheby’s

Coates & Seely were delighted to have their Brut Reserve and Rosé sparkling wines served at a glittering viewing of Modern & Post-War British Art at the Sothebys galleries in London.

This is one of the most exciting categories of the global art market and the night was a celebration of the best of modern British genius, with works from artists such as Howard Hodgkin, L S Lowry, Ben Nicholson, Barbara Hepworth and Stanley Spencer, amongst many, many others.

Coates & Seely are proud to be British, and to be served by such a peerless leader of the art world, and were rarely more so on an evening like this, in galleries be-decked with stunning art and fabulous floral arrangements.

http://www.sothebys.com/en/departments/20th-century-british-art.html

Photography by Lara Arnott

The most expensive English wine ever has just been unveiled, so should you buy it?

The Telegraph Online: Victoria Moore, Wine correspondent

At a party at the Ritz Hotel this week, the English wine producer Nyetimber introduced a brace of new sparkling wines. It’s fair to say that any discussion of the wines was rapidly overshadowed by talk of the ambitious pricing strategy. At £150 for the sparkling white from the 2009 vintage and £175 for the sparkling rosé from 2010, the pair immediately became, and by some margin, the most expensive English wines ever released.

In economic terms, the pricing sets the two new Nyetimber 1086 wines above some of the most fêted names from Champagne, such as Krug Grande Cuvée (around £135); Dom Pérignon 2009 (£140); and Philipponnat Clos des Goisses 2007 (around £136).

Are they in any way worth it? Perhaps before we get on to that it’s worth a quick detour to consider how far Nyetimber has come in a short space of time.

The estate was bought 31 years ago by an American couple from Chicago called Stuart and Sandy Moss. It included a run-down manor house that once belonged to Anne of Cleves, the fourth wife of Henry VIII. It did not include chardonnay, pinot noir, and pinot meunier vines – the received wisdom of the day was that attempting to grow these champagne varieties in England was madness. In 1988, Stuart and Sandy planted them anyway. They made good wine. Nyetimber found itself at the forefront of a revolution. Ownership passed from the Mosses to songwriter Andy Hill (most famous for his work with Bucks Fizz) and in 2006 it was bought by Eric Heerema, a Dutchman who set about building the brand with purpose and determination.

“One of the things we really bonded over when we first spoke was Eric’s drive for quality. He talked about the unfulfilled potential in England,” says Brad Greatrix, one half of the winemaking couple that Heerema hired in 2007. Perhaps it tells you something about the speed at which Heerema likes to operate that three weeks after his first speculative contact with Greatrix, and his wife Cherie Spriggs, the couple had uprooted themselves from Canada, and were already settling in to their first day at work.

In the last decade, English wine has moved forward extremely rapidly. We have more vineyards; the wines have improved; the reputation of the wines has grown. As this has been happening there has also been something of an arms race to produce the country’s most expensive wine.

Did Nyetimber start it? Perhaps it did. Nyetimber Tillington Single Vineyard 2009 was released in 2013 at £75 – significantly more than its closest English competitor. Everyone gasped and muttered about ambitious pricing, then everyone tasted it, and agreed that to their surprise it was extremely good – even, perhaps, worth spending £75 on. Before long, other entrants into the market – such as the Coates & Seely La Perfide Blanc de Blancs 2009 (current price: £65) – meant that the Tillington Single Vineyard no longer stood apart from the rest of the English crowd. In spring 2017 the Kent-based producer Chapel Down launched a sparkling wine called Kit’s Coty Coeur de Cuvée 2013. At £100 a bottle, it became England’s new most expensive wine.

When it came to the new Nyetimber 1086 wines – the name is a reference to the Domesday Book in which Nyetimber is mentioned – my main thought was not, “How much will they be?” But, “How much more than £100 will they be?” I reckoned the Nyetimber wines would not come out for less than £120. I was right, but not right enough. Like a player in an auction who ups his bid by a punchy chunk to discourage others from following him, Heerema (who apparently set the prices with his sales manager) went even higher.

I can’t tell you to go out and buy the wines at this price (though if you do want to, the white is more impressive than the red). This is no reflection on the skill of winemaker Cherie Spriggs who, using the best grapes from two vintages (2009 for the white and 2010 for the rosé) has made two rather good wines.

It’s just that, firstly, I’m not sure they are Nyetimber’s best wines. They are not especially rare (there are 2,600 bottles and almost 40 magnums of the white and 12,000 bottles and 850 magnums of the pink). Perhaps most importantly, English wine has not – yet – reached the level at which such prices are remotely appropriate within the existing hierarchy. Tasting these two new cuvées provided no order-shattering moment of revelation, at least not for me, or for anyone else I have spoken to. For instance, Krug Grande Cuvée is, quite simply, a better wine, and one with a bigger reputation.

But as an effect of the pricing something else interesting has happened. Just as the release of the first £75 Tillington Single Vineyard five years ago made Nyetimber’s Classic Cuvée feel better value, so the mere existence of a £150 and £175 duo at the top of the pyramid increases the appeal of the Tillington Vineyard .

This is called a framing effect. It’s a classic piece of selling psychology that makes you feel that by choosing the Tillington you’re saving £95 rather than spending £80 (the current price listed on the Harrods website for the excellent 2010). I notice people already looking at the Tillington with renewed interest. And I can’t help thinking that this must have been part of Heerema’s strategy. So if you do want to try a luxurious English wine – can I suggest you go and look for the Nyetimber Tillington Single Vineyard 2010 (Harrods, £80) – it’s a very fine expression of a single English site in Sussex, and a wine that contains a splinter of magic.

King’s Presence Chamber Dinner at Kensington Palace

Coates & Seely were delighted to be served at a dinner in the Kings Gallery at Kensington Palace to thank some of the leading benefactors to Historic Royal Palaces.
Drinks were served in the Palace gardens beforehand, after which guests proceeded to the State Apartments, up the magnificent King’s Staircase, designed by Christopher Wren, to dinner in the King’s Gallery.
Built by William and Mary in 1695, the Gallery was once the hub of the royal court of the House of Orange, and is still hung with the crimson silk damask that sets off so brilliantly numerous masterpieces from the Royal Collection, all of it overlooked by the imposing statue of Charles I.

https://www.hrp.org.uk/kensington-palace/